i've got a hotstick
posted on Wednesday, October 10, 2007 in Photographers Matt Adcock
Recently, I motivated myself to come up with an idea I had and have since been practicing :) Seriously, I hadn't tried the camera on the monopod idea before August 18 and at my very next wedding, August 25, I pulled it out to see what I could do. Folks, I plan to wear this bad boy technique out! Its clever and different almost every time you use it, because it allows you to change your vantage point.
How many times do you see yourself standing on your tip toes or leaning or stretching or doing something different to get the shot??? Almost every wedding I go to I'm trying to find a better angle. Plus, I'm short, 5'8...so I need the added height...
How do you change this technique up and add a little flash flavor? Well, I was shooting a reception in a room with a ceiling of 20ish feet of height, and decided to use that to my advantage. I put my Canon 5d on my custom made painters pole / monpod, and gave my camera 14 ish feet of reach over the dance floor. I kept the on camera 580 with the head rotated 180 and facing up so it would be bouncing off the ceiling to provide my down light fill and set my associate operated slave Nikon Sb-28 to 1/2 power with a RED gel and asked him to point it at the dance floor. I focused the camera with about 8 feet of distance to subject and raised the camera on the stick towards the sky.... BANG!!! this is the shot that I ran home with....
You can see my assistant dressed in all black, holding the strobe towards the floor. I told him to face the opposite way so he wouldn't be recognizable....it kinda worked :) Feel free to check out the full wedding slideshow of photographer favorites here I'm loving this one... If I had 10 times to practice this one.... well, forget about practice... lets see your examples :) I'll keep it up, but for now, this is the best I can do for on the spot! Cheers! please post your new photo examples to the Flash Flavor Flickr group
***UPDATE*** After questions about how I did this...i reached into my vault and found this image that Sol Tamargo snagged of my setup with my rigged painters pole with a instant weld type product to hold the long threaded bolt to twist the camera down... This photo is not about fine art, but will give you a feeling of the "how to"
One great addition to this technique:
If your dSLR is capable of a “live view” mode, run the video out down the monopod / painters pole into a cheap DVD player, you’ll be able to compose your shot instead of a “hail mary” technique.