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Helicopter lighting thoughts
by: Matt
posted on Sunday, October 18, 2009 in Sol Tamargo  Matt Adcock

I shot a wedding in Birmingham Alabama a short while back and was presented with a few challenges as the bride and groom were leaving in a helicopter at the end.... This copter was in a big grassy field and was to be surrounded by guests waving goodbye to the new couple.   I knew this thing would be leaving in a hurry, so what to do......

We went out to survey the location...setup one light with a red gel to back-light the copter for a scene setter type shot, then noticed that there was a HUGE Par / Elliptical style light positioned outside aimed at this copter... hey, its big and bright and constant!

SO, What we decided was to pick this light up as a giant flashlight and follow the copter on its ascent!   IT worked :)


We did use a low power off camera flash to accent light the couple for a shot or two... but using what we had in our surroundings also played a big part in making this shot successful for us!

 

heli-FF01.jpg

This one was one of the first off camera flash bursts we used.   The pilot was checking something with the copter, giving us a good sense of scale.  Moon light directly behind him.  Shot at very low power on the off cam strobe.

 

heli-FF02.jpgOur simple low power burst behind the copter for a back-light to give us a scene setter.

 

heli-FF03.jpg

This is where I got the idea to use this elliptical light as my giant flashlight!  

 

heli-FF04.jpg

Low power (1/64 with a ND filter) burst of the couple.  Notice my sexy silhouette of my 5d II with PW attached to the hotshoe... nice detail eh? DOH!

 

heli-FF05.jpg

The flashlight at work :)

 

Saludos!
mateo

 

 

 

Underwater equip test followup
by: Matt
posted on Monday, September 14, 2009 in Sol Tamargo  Matt Adcock

In follow up to this post.... Whew, after a few thousand miles lugging bags and bags of new gear,  i've had one day to try to learn and ride my bike again for the first time.  

 

Ride bike for first time = learn to use multiple underwater strobes (off camera) for the first time.... holy moly what a challenge.  I'm not 100% in love with my results from this 2 hr test... but am on my way to discover the other side of the rainbow:)

Anyway, here is 2 underwater strobes + above water strobe.  Everything shot on Manual...  Shot about 2.5 meters of depth.  Strobe camera right at 3 meters depth, triggered with optical slave.

IMG_2040-2B.jpg

 

 

Thanks to Sol for being my model :)

 

Cheers!
matt

 

 

del sol new equip aquasitions
by: Matt
posted on Sunday, August 30, 2009 in Sol Tamargo  Matt Adcock

We have been on holiday... sheesh, after about 90 or so jobs already this year, I'm totally done.  Not really, we still have 40 or more left to do in these next remaining months!


Have you noticed less posts on FF?   I have, no doubt.   Why?    Well, honestly Ive been seeing LARGE numbers of copycats out there, which is to be expected I guess if you give away your shoot concepts, lighting setups and locations.  Where is the originality folks?

Lets face it, we shoot in some seriously exotic spots.   If you dig back in history, you will find very few (if any) other photographers prior to 2006 who were commercially shooting and publishing material found in the same spots (specifically cenotes) in the Riviera Maya other than del Sol Photographers.   I'll be honest.  NOBODY inspired me to take a bride into one of these locations, It came right out of my original box of tricks.  While I can't blame others for exploiting these awesome spots, I can blame myself when their work mimics mine...ouchy.

While we can obviously not claim ownership of the idea to shoot in a cenote, we can ask for photographers out there to try and PUSH the limits on their work.   I follow lots of forums and see LOTSA posts by brides and other photographers with "hey look at my centoe shots" and just about every one of them looks like a del Sol shoot (off camera flash, multiple flashes, red gel, bride in water, etc)... I guess I had it coming.    Anyway,  copycats are inevitable and I'm sure just about all of us can identify as somewhere or somehow, you have likely felt another photographer steal or swipe your idea...This is just the way the things go.

So how do we curb this copycat syndrome?

Write a check, of course!     (Just kidding, this is what happened to us after our recent brainstorm on changing it up)   For many of us, gear acquisition seems to be a disease.   We buy stuff for the sake of buying it.  Will that new double rotary table and custom engineered portable track and dolly system earn back the near $2500 spent?  Probably not.   But will anybody else have products like this in the region where we are working?  Nah.

You will start to see underwater off camera flash (lots of underwater flash and creative lighting) and HD video coming from the underwater arena.  We have purchased underwater breathing systems that are lightweight and allow for better dexterity than the traditional SCUBA system (yes we are SCUBA certified).  Aquatica 5d II housings, multiple flashes and underwater studio equip, cables and just about everything we could think of to STEP IT UP.   Holy cow, underwater strobes (controllable ones) ain't cheap ($900 each)... especially if you need 3 or 4 of them... Housings, OMG...costs more than my camera.  and I need arms, cables (they are pricey too!)do-dads, switches, brackets, weights, bla bla bla...  All in all, we are investing 5 figures into this system.

We just want our work to be unique... hopefully, we can change the face of the TTD work we have been doing with this new gear list!  Stop by our new blog: www.delsolphotography.com/blog to see recent work!

Here is a photo of the new underwater breathing system:

solunderwaterbreathingsystem.jpg

 

aquatica5dMarkII.png

Photo courtesy of Aquatica's Website

Aquatica has been very helpful so far helping me design the perfect system.  Jean Bruneau, Aquatica's Technical Advisor has given me LOTS of advice and also asked me and any others interesetd to submit an email requesting the development team at Aquatica to BUILD A UNDERWATER HOUSING for the pocket wizard.   Crazy idea eh?  I'd love to play with this, although radio doesnt work super well underwater, I have had some success using this system in a makeshift housing triggering from above water.

In addition, Ikelite has also been very helpful with answering questions!

Expect some fresh new stuff from del Sol this upcoming year, count on it!


Saludos

Mateo

 

Jaco's fire and ice
by: Matt
posted on Wednesday, July 22, 2009 in Jaco Fourie

I wanted to post a few images from one of the flash wedding photographers whom I believe is out there doing way way more than we do on a very consistent level.   Jaco Fourie

has recently given a workshop "Breaking out of the traditional mould" and I was really drooling over some of his creative stuff from these sessions... Just awesome work.    I'm sorry I don't have any technical info as I've just seen this stuff and had to post it.  If I know Jaco though, he will be quick to send us some of his background info on these technical shots to help break down the construction of the lighting plan.


Great work amigo. 

JACOdrivein1.jpg

 

JACOdrivein2.jpg

JACOfireice.jpg

 

UPDATE**  here is a setup shot of the fire image.... too cool!

dti0928e.jpg

 

Thanks for being a source of inspiration amigo!

 

matt

 

 

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