I love to play at my receptions.  Some of my peers in this industry and others on forums have blasted photographers for experimenting at their clients events / weddings.    Uhh, I'm guilty of this in a big time way.  I like to play with different angles, different lighting conditions and sometimes, trial and error myself into something NICE.

This shot is a result of some trial and error.  After a setting adjustment or two, I nailed this couple on the dance floor and popped some "flash freeze" on them with one of my Nikon Speedlights.   Have you ever had brain freeze from eating ice cream too fast.... howa bout "flash freeze?

Canon 5d II

Lens (mm): 35
ISO: 1000
Aperture: 2.2
Shutter: 1/25

Nikon Sb28 at 1/64  from a light stick camera left, about 8 feet away.  You can see how powerful that light is at its lowest setting... The guest on the floor camera right still has some residual exposure from this flash head.  Probably about 15 feet of distance from flash head to his body...thats some serious power.   The 1/25 drag with the ambient DJ lights produced this kewl movement look here.

I posted LOTS of images from this wedding on the del Sol Blog...Hope U like!

I was browsing around the Internet today looking for some inspiration and came across my new favorite photo of 2010 so far...  Senor Tony Hoffer posted a review recently on his use of Canon's new Mark IV, specifically targeted to his use at weddings.  I found it very insightful and think you may want to take a peek too. 

Read his review on the Mark IV here.

Tony is also a serious flashflavor dude too... I found this image and was drooling alll the way through the rest of his site.  I asked if he minded me posting it here and he obliged :)

Tony writes:

I was on an engagement session in May 09 with one of my favorite couples. They had bought an umbrella since it looked like rain that day. Well it didn't rain and we ended up shooting the whole session. About 5 minutes before the session ended, Maria mentioned that she had actually wished it had rained since she wanted to use her new umbrella....

Well, within a few minutes it started raining after all. We were already packed up in our cars and couldn't decide if we should get out for one more shot or not. The other side of the parking lot was empty, so we just went to the empty area and set it up. The whole shot and set up took only about 30 seconds. I fired two shots, one wide, one close, and we left. Pretty amateur set up actually.

So, if you're curious, there was still some daylight (it was just after sunset), so I went to ISO 100 to drown out the ambient. Then I simply backlit the couple to bring out some of the rain. The shot was taken almost a year ago, but if I had to guess, the settings were probably close to this: ISO 100, 1/125 shutter, f/2.0. Shot with a Canon 5D and an 85 1.2 L. The flash, a 580exII was set around 1/2 power ish...

You can visit hofferphotography.com for more inspiration!   Thanks a zillion for the submission amigo!  Friggen SWEET frame amigo... What I love about this shot is not only is it technically well done, it will remain a timeless classic and a major portfolio addition for a long long long time!

Mucho saludos!
matt

My friends Dave & Quin are always producing work that makes me do a double take and try to break down how and what is going on to get the desired results.   At the end of the day, these two have to be some of the best the market has!  They are consistently producing WOW imagery on a day in and day out basis.

Recently, I found a gem from Quin's camera...

Quin Writes:

My motivation for this image was complete fear. LOL!  The room was extremely dark with horrible lighting, and just plain ugly.  I needed a way to simplify the space and easily tell the story of what was going on.  When you can't rely on the ambient light, it's so nice to be able to control your own light.  I always carry a flash on my belt, using QuiKlips, so within seconds of my initial ambient shot, I placed my flash on the floor aiming upwards on the bride to throw shadows on the ceiling.  The flash was triggering in manual mode via Quantum FW10w Transceivers at camera and flash positions.  It was divine timing that her bridesmaids came and stood in the perfect position to have their shadows and expressive hand gestures thrown on the wall too. 

I've also included a couple other shots in the ladies prep room to show you what it was like at ambient light, then my first attempt with the flash (totally blown before I tweaked my settings) where you can see my flash placement, and the final image in BW.

The Ambient exposure really sets the tone for "What the HECK" am I going to do now?

After seeing this frame and evaluating the one setup shot before this one, I'm thinking she has placed 2 flash units on the subject for the dynamic shadows.  I've always used this technique with one flash unit... If my assumption is correct, nice work Quin.  Regardless, I'm sure your clients appreciate your creative approach!

WOW, I'm so impressed.   I love how you have isolated what really matters in this room.  I'd call this complete organization of chaos, which is what we are all faced with when we see a pretty boring room of clutter and are forced to calculate decisions that turn heads.   Great work on your toes here Quin.

PS... did anybody catch the cool clip on their belt, the Quick Clips to hang the flash on the belts???  I like their clever branding QUIKlIPS...  Thats pretty nifty!     Maybe I can get them to send us a set or 3 :) I think Dave may be sending me one of his magic images soon, so I can share that too!

Saludos,

matt

I've had a misfire or two in the past and sometimes, I'm hating that... Possibly i was shooting too fast for the system to recycle or the PW connection with its trusty sucky cables and sync ports were not 100% hitched up well...who knows.

I was shooting at high ISO's 800-1250 with a 2.0 or faster Aperture and using my Speedlights on 1/64 power with a ND filter to bring the power level down...dragging the shutter at 1/30 or 1/40th to bring in the ambient.

These first few frames were me working the scene, moving the flash around, shooting different shots for dramatic looks...

Not a happy accident...kinda got what I was wanting to get here...Flash 90 degrees from lens axis.

Same here...moved the flash from 90 degrees to about 45 to get this one...By the timing of this shot, I'm already feeling like a rockstar because the images are feeling very good to me, along with the quality of light.

Then, as his friends were all chiefing away on their stogies, one of them tells me that he wishes I was using a prettier background for photos...don't you love how guests always think they have a great idea for photos... Anyway, I kept shooting after telling him to "trust me" and my flash delivered again, giving me this shot of them together.

And finally, my happy accident appears... Among several frames where the flash actually fired, I got this one...  I had no intentions of snapping a frame without light.  Honestly, I kinda like it even more because the look of this shot and the smoke just does something for me :)

Hope you find a few happy accidents coming soon!

mateo