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wedding flashflavor in the rain…
by: Matt
posted on Wednesday, May 26, 2010 in Matt Adcock  Tony Hoffer

I was BLOWN away recently by an image that Sr. Tony Hoffer produced on an engagement session that I recently posted on FF.   The concept is pretty simply and as I told Tony in the comment field, as soon as I could rip him off I would TRY.....Keeping respect where respect is due, I give Tony all the props for first showing me a badass photo.

I've changed the situation a little and went ahead on a wedding day with my tony hoffer look alike...well, its different guys, come on and don't rip on me too hard!   On Keelin and John's wedding day, it rained hard....all day, all night.  The wedding was obviously moved from the beach to a Chapel... with a leaking ceiling.  If it was going to be raining at night, I told myself that I was going to GET wet and my flash was going to do a dance for me that would give me a photo that I had never shot before..... stage was set, dusk approached, and I went swimming.

The first two frames were my "test frames".  My thoughts were to meter the sky, still with plenty of available light in the sky.  I put the sky about 2 stops under what the meter was telling me and shot a test frame. Shot at 6:34pm.   Notice in the first shot on the left I've instructed my flash to be included in my test frame  (kill 2 birds with 1 stone).  This test tells me a few things:  What my ambient is looking like and also if my 1/4 power setting on my flash is enough....

Keellin+John_W_M_1269.JPG Keellin+John_W_M_1270.JPGNow, the first frame is not winning me any awards, thats for sure.  Remember, its only a test shot.  The second frame is my first of the sequence to make sure my light and power settings, flash to subject distance and all the variables are in place... its kinda front focused too...

 

 

This is my 2nd shot with them in the rain, and my KEEPER from the sequence of about 30 seconds in the rain.  del_sol_wedding_flashflavor_rain.JPG

5d II, ISO 320 at F2.0 shot at 1/80th. Off camera speedlight triggered by PW set to 1/4 power.  This photo is DIRECTLY out of camera, absolutely NO Photoshop or any post production manipulation.  We were standing in a lake too, so that helped us out very much.  I wanted to make sure that we could somewhat see the ambient tungsten lights in the background for some layering in the frame.  My assistant was guarding the flash +PW combo by covering the flash slightly with the man purse thingie he had.  His flash to subject distance was about 6 feet.

I think I got a winner....

Saludos,

matt

MORE photo inspiration on our blog:  www.delsolphotography.com/blog

ps.  thank u tony hoffer :)

Happy Accident -silhouette
by: Matt
posted on Wednesday, May 19, 2010 in Matt Adcock

I was recently working a big open dance floor, covering the father daughter dance.   I had a 5d II with an off camera speedlight, shooting at low power.  I was working with 2 cross light DJ hot lights that were very powerful as well. 

flashflavor_happy_accident1.JPG
For a safe photo, I was shooting at ISO 1000.   I had a flash set to 1/32, about 20 feet from subject.  I was using a 135 at F2.0 shooting at 1/125 of a second (a bit slow for that shutter speed and no image stabilization).

Ok, so safe shots...we all should shoot one in this circumstance.   This was my moment to shoot safe.  I was using my off camera flash on a lightstick, operated by Melissa, my assistant for this shoot.   I communicated to her to quickly move into another placement for a different angle, etc.   At this moment (keep in mind, she was more than 15 feet away from me, she had turned her head and was going to a different direction.  Simultaneously, be the hyper active ready for anything gringo, turned and to see a strong breeze take her veil into a super cool crazy place. 

flashflavor_happy_accident2.JPG

5d II at ISO 1000 1/160 at F2.0.  It was all I could do to have a snap reaction, stop down a tad (since my off camera flash was no longer  acting as my flash freeze shutter) and I snapped this frame.   My happy accident is that I told my flash to go away, so it was moving to a secondary spot and thus, I was able to get a silhouette (a pretty ok frame here) without flash.  Keep in mind, the light on the veil and all backlight is from the DJ's setup.  I think with flash, this moment wouldnt be the same.   So, i consider this an accident (or fate) that I shut my flash down just a few seconds prior to this moment!

have fun with your happy accidents.

Old happy accident 1

Old happy accident 2

Older happy accident 3

An even older happy accident 4

no flavor -Belize Wedding
by: Matt
posted on Saturday, April 24, 2010 in Sol Tamargo  Matt Adcock

Well, not any added flash flavor value as we recently decided to take on natural light on one of our most recent trash the dress sessions in Belize.  We had an opportunity to shoot an amazing couple (Josh + Lara), lots of energy and every other 2 minutes, Lara kept making me think she was a paid actor playing the perfect fairy-tail bride out on an adventure to trash the dress, no rules, no expectations...just fun.

Read about their wedding plan here.

 

Technically, these images were difficult for me to make and without the proper gear and technique, these photos are tough to duplicate.  One of the things I've been noticing is that its tough to stand out and be different in the photo market.  As a photographer, I'm constantly challenged to make technically better photographs.  I encourage you to ask yourself, are you doing the same?

Shot a few images in the ocean.... bloody flare... perhaps we should embrace the flare!

Josh+Lara_ff-5.jpg

 

 

An abandoned fishing shack, miles away from any shoreline.  More on the photo shack hereJosh+Lara_ff-4.jpg

 

I think I got lucky with these next two frames, shot only 3 seconds apart from one another.  We didnt have much time for this, it just happened quickly.  I was using my 45 Tilt / Shift lens (with no tilting or shifting though) keeping in mind thats a manual focus lens.  I stopped down to F16 and shot at 1/30th of a second to get the motion in the dress.  The first frame (timestamp 5:08:01) was shot at ISO 400.

Josh+Lara_FF-1.jpgnotice in the corner, I had no tripod so the 1/30th slow shutter was made possible due to the 55 gallon trash can that I improvised to be my make shift tripod...it worked :)

 

 

This next frame, timestamp 5:08:04.  Just a quick pan and suddenly I've been lucky enough to freeze motion on the moving guy vs the b&g standing still(ish).  Anyway, this technically seemed difficult to pull off.... each frame almost targets different concepts.  45 T/S lens, shot at F16 at 1/30th ISO 400.  Josh+Lara_ff-2.jpg

 

 

Beautiful sunlight, everything here was shot using available light, such a gift to us this day. Shot this one with my 50 at 1.6, 1/3200 shutter.Josh+Lara_ff-3.jpg

 

 

 

This last one was one of my fav's.  I shot this laying down on the beach, using my 135MM lens 1/500 F2.2.Josh+Lara_ff-6.jpg

 

Sorry for the No flavor post... just thought I'd add some inspiration / something to look at on this blog that never gets updated :)  Thanks for your patience!  Let me know if you like em :)

cheers!
matt

More Josh + Lara Wedding photos here

More Josh + Lara TTD photos here

 

flash freeze
by: Matt
posted on Friday, March 26, 2010 in Matt Adcock

I love to play at my receptions.  Some of my peers in this industry and others on forums have blasted photographers for experimenting at their clients events / weddings.    Uhh, I'm guilty of this in a big time way.  I like to play with different angles, different lighting conditions and sometimes, trial and error myself into something NICE.


This shot is a result of some trial and error.  After a setting adjustment or two, I nailed this couple on the dance floor and popped some "flash freeze" on them with one of my Nikon Speedlights.   Have you ever had brain freeze from eating ice cream too fast.... howa bout "flash freeze?

Canon 5d II

Lens (mm): 35
ISO: 1000
Aperture: 2.2
Shutter: 1/25

Karim+Jennifer_Wshow0271.JPG

Nikon Sb28 at 1/64  from a light stick camera left, about 8 feet away.  You can see how powerful that light is at its lowest setting... The guest on the floor camera right still has some residual exposure from this flash head.  Probably about 15 feet of distance from flash head to his body...thats some serious power.   The 1/25 drag with the ambient DJ lights produced this kewl movement look here.

I posted LOTS of images from this wedding on the del Sol Blog...Hope U like!

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